Suzanne Treister
Mystical Apocalypse

Suzanne Treister (b.1958 London) studied at St Martin’s School of Art, London (1978-1981) and Chelsea College of Art and Design, London (1981-1982).  She is now based in London having lived in Australia, New York and Berlin. Initially recognized in the 1980’s as a painter, she became a pioneer in the digital/new media/web-based field from the beginning of the 1990’s, making work about emerging technologies, developing fictional worlds and international collaborative organisations. Utilising various media, including video, the internet, interactive technologies, photography, drawing and watercolour, Treister has evolved a large body of work which engages with eccentric narratives and unconventional bodies of research to reveal structures that bind power, identity and knowledge. Often spanning several years, her projects comprise fantastical reinterpretations of given taxonomies and histories that examine the existence of covert, unseen forces at work in the world, whether corporate, military or paranormal. An ongoing focus of her work is the relationship between new technologies, society, alternative belief systems and the potential futures of humanity.
Her recent solo exhibitions include The Escapist BHST (Black Hole Spacetime) an ongoing digital work at the Serpentine Galleries, London.
Her works are in many public collections around the world.


Selected solo shows & events

Kabbalistic Futurism, P.P.O.W. New York, USA
Habitable Futures, Galerie Louis Gendre, Chamalières, France Press releaseCatalogue

Technoshamanic Systems, Mattflix (online) Matt’s Gallery, London, England

SURVIVORS, school, Vienna, Austria
HFT The Gardener/Outsider artworks, Österreichische Gesellschaft vom Goldenen Kreuze (OEGGK), Vienna, Austria

The Escapist BHST (Black Hole Spacetime), Digital Commission, Serpentine Galleries, London, England
From SURVIVOR (F) to The Escapist BHST (Black Hole Spacetime), Annely Juda Fine Art, London, England
SURVIVOR (F)/The New Planet, Sunset Digital Billboards project, IF Innovation Foundation, LA, USA
SURVIVOR (F), fig-futures at The Box (hosted by KARST), Plymouth, England

Le voyage à Bordeaux de Suzanne Treister – Histoires parallèles et récits excentriques, CAPC musée d’art contemporain de Bordeaux, France

Works from SURVIVOR (F), IMT Gallery, London, England

HFT The Gardener, P.P.O.W., New York, USA
HFT The Gardener, Annely Juda Fine Art, London, England
HFT The Gardener, Exhibition Research Lab (ERL)/Liverpool Biennial 2016, Liverpool, England

HEXEN 2.0, Fig-2, ICA, London, England
Post-Surveillance Art, Acting Out festival, Primary, Nottingham, England
Rosalind Brodsky’s Electronic Time Traveliing Costumes, Schaufenster am Hofgarten, Kunstverein München, Munich, Germany
HEXEN 2.0, Aksioma Project Space, Ljubljana, Slovenia

Event: Post-Surveillance Art, at Chisenhale Gallery, London
Post-Surveillance Art, Maggs Bookshop, London, England
Supper for Snowden, Supper Club, Die AU café/restaurant, Thyssen-Bornemisza Art Contemporary, Vienna, Austria

In The Name of Art and Other Works  , Annely Juda Fine Art, London, England
HEXEN 2.0  , Cleveland Institute of Art (CIA), Cleveland, Ohio, USA
HEXEN 2.0  , P.P.O.W, New York, USA
Grimoir du Futur, Espace Multimédia Gantner, Bourogne, France

HEXEN 2.0, D21 Kunstraum, Leipzig, Germany
HEXEN 2.0, Hartware MedienKunstverein, Dortmund, Germany
HEXEN 2.0, Science Museum, London, England
HEXEN 2.0/Literature, WORK Gallery, London, England
HEXEN 2.0, DEATH BE KIND, Melbourne, Australia

MTB [Military Training Base], Alma Enterprises, London

NATO Black Dog Publishing, London, UK
3 Projects, Annely Juda Fine Art, London, England
HEXEN 2039 and Alchemy, Galerie Lorenz, Frankfurt, Germany
Alchemy P.P.O.W New York, USA
HEXEN 2039, Kunstverein Langenhagen, Germany

HEXEN 2039, Skolska 28, Prague, Czech Republic
HEXEN 2039, New Art Gallery Walsall, UK
HEXEN 2039, Book launch and screening, City Lights, San Francisco, USA
HEXEN 2039, Screening, Star and Shadow Cinema, Newcastle upon Tyne, UK

HEXEN 2039, Multi-venue project across London. Installation: CHELSEA space; Screening: Warburg Institute; Interverventions: Ognisko Polskie, Science Museum, British Museum; Event: Dana Centre and the internet Funded by Arts Council of England.
VESNA, (video installation) Commission for Art under construction: the Balkans in context, City Atrium,Social Sciences Building, City University, London, England

Operation Swanlake, Annely Juda Fine Art, London, England.
Operation Swanlake, Kunstlerhaus Bethanien, Berlin, Germany.
Operation Swanlake, MOP project space, Sydney, Australia.

Rosalind Brodsky – Music case history, Briefcase project, Hollywood Hotel + mobile, Sydney.

Sightings/Archives from the Institute of Militronics and Advanced Time Interventionality, Digimatter/Grey Matter, Sydney.
Sightings, Greenaway Gallery, Adelaide.

Odyssey, (an investigation into the lives of Rosalind Brodsky and Pope Alice) Institute of Modern Art, Brisbane.
No Other Symptoms – Time Travelling with Rosalind Brodsky, (CD ROM and video installation) Artspace, Sydney.
No Other Symptoms – Time Travelling with Rosalind Brodsky, CD ROM – Launch event with performance (involving Richard Grayson, Susan Hiller, Pauline van Mourik Broekman, Elaine Pyke and James Flint) and ‘Ghosts of Maresfield Gardens’ video installation, Freud Museum, London, England.

Dying for your sins, (CD ROM) Australian Centre for Contemporary Art, Melbourne.

Time Travelling with Rosalind Brodsky, The Tannery-project space, London, England.
Dying for your sins, (CD ROM Installation) Institute of Modern Art, Brisbane.
Kitsch’n Shrink, Greenaway Gallery, Adelaide.

Q.Would you recognise a Virtual Paradise?, Mizuma Art Gallery, Tokyo.

Q.Would you recognise a Virtual Paradise?and other paintings, Contemporary Art Centre of South Australia.
Q.Would you recognise a Virtual Paradise?, Australian Centre for Contemporary Art, Melbourne.

Q.Would you recognise a Virtual Paradise?, Exeter Hotel, Adelaide.
Recorded Evidence:Prosthetic Speech, [RE] Gallery, Adelaide.
Software, Union Gallery, University of Adelaide.

Edward Totah Gallery, London.
Between the Clues lies the Evidence, PostWest, Adelaide.

Edward Totah Gallery, London.
Kerlin Gallery, Dublin.
Ikon Gallery, Birmingham: Major Arts Council touring exhibition, to: Spacex, Exeter; Oldham Art Gallery; The Minories, Colchester; Darlington Arts Centre; Nottingham Castle Art Gallery.

Edward Totah Gallery, London.

Edward Totah Gallery, London.

Selected group shows, collaborations, festivals, events

THE COSMOS WITHIN, ARoS Kunstmuseum, Aarhus, Denmark
Into the Black Hole, Valkhof Museum, Nijmegen, Netherlands
At the Edge of Heaven (The Female Vision), Museum Krona, Uden, Netherlands
HOPE, MUSEION – Museum of Modern and Contemporary Art, Bolzano, Italy
Growing to Infinity, MLZ Art Dep, Trieste, Italy
Dark Matters, Science Gallery, Melbourne, Australia
Helsinki Biennial, Finland
WORLDBUILDING: Jeux vidéo et art à l’ère digitale, Centre Pompidou-Metz, Metz, France
Imagine a Breath of Fresh Air, Teatr and Galeria Studio, Palace of Culture and Science, Warsaw, Poland
Which Gender Has Care? A cycle in four acts based on Frigga Haug’s four-in-one perspective, D21 Kunstraum, Leipzig, Germany
Edenworld, Le Bel Ordinaire, Billère, France
HUMAN IS, Schinkel Pavillon, Berlin, Germany
Rituals of Devotion, McEvoy Foundation for the Arts, San Francisco, USA
a model, a map, a fiction, Transmediale 2023, Berlin, Germany
Artificial Incantations, P–OST, Nijmegen and Arnhem, Netherlands

Minimal Art Gallery_Take advantage of the moment, Albertinum, Dresden State Art Collections, Dresden, Germany
Dreaming Quantum Futures, Goethe Institut’s Living in a Quantum State programme, Somerset House, London, England
Spiritual Technology, High Line, New York, USA
Vertical Atlas, Het Nieuwe Instituut, Rotterdam, Netherlands
The Horror Show!, Somerset House, London, England
power Power, MAW (Middlesbrough Art Weekender) Festival, Middlesbrough, England
21ème Nuit des Musées de Lausanne, Plateforme 10, Lausanne, Switzerland
Suzanne Treister Kabbalistic Futurism/Manuscripts/Audio2, Montez Press Radio, New York, USA play
Court circuit, La Labomedia at Le 108, Orléans, France
Unlimited, Art Basel, Switzerland
WORLDBUILDING: Gaming and Art in the Digital Age, Julia Stoschek Collection’s 15TH Anniversary Exhibition, JSC Düsseldorf, Germany
Holbaek Art, Public art project, Holbaek, Denmark
Tactics of Augmented Dreams, La Verrière – Fondation d’entreprise Hermès, Bruxelles, Belgium
power POWER, MAW (Middlesbrough Art Weekender) Festival, Middlesbrough, England
Post Totem, OHSH PROJECTS, 106 New Oxford Street, London
R.A.W. or the sirens of Titan, Kunstmuseum + Kunsthalle Appenzell, Switzerland
Ars Memoriae – The Art to Remember, 601 Artspace, New York, USA
Je ne reviens jamais sur mes pas, La Chaufferie, HEAR, Strasbourg, France
The World We Live In, Arts Council Collection Touring Exhibition – Leicester Museum and Art Gallery; Norwich Castle Museum & Art Gallery; Glynn Vivian, Swansea
Icone vegetali. Arte e botanica nel secolo XXI /Vegetal Icons. Art and botany in the 21st century, Museo Villa dei Cedri, Bellinzona, Switzerland
Not Without My Ghosts, Hayward Gallery Touring exhibition, Glynn Vivian Art Gallery, Swansea, Wales
Group Show, Annely Juda Fine Art, London, England

Codex Subpartum, Marres, Huis voor Hedendaagse Cultuur, Maastricht, Netherlands
Memeplex™, Seventeen, London, England
Back to Future. Technikvisionen zwischen Science-Fiction und Realität, Museum für Kommunikation, Berlin, Germany
Data Streams, The Glucksman, University College Cork, Ireland
Open World: Video Games & Contemporary Art, Oklahoma Contemporary Arts Center, Oklahoma, USA
To the Edge of Time, KU University Library galleries, Leuven, Belgium
Not Without My Ghosts, Hayward Gallery Touring exhibition, Grundy Art Gallery, Blackpool, England
technoschamanismus, Hartware MedienKunstVerein (HMKV), Dortmund, Germany
ECLIPSE, 7th Athens Biennale, Athens, Greece
Ha Ha Ha, l’humour de l’art, Kanal — Centre Pompidou at ING Art Center, Brussels, Belgium
ISKRA DELTA, 34th Ljubljana Biennale of Graphic Arts, Ljubliana, Slovenia
The World is Flat Again, Muzeum Sztuki, Lodz, Poland
The Great Invocation, Garage, Rotterdam, Netherlands
Weird Gnosis, IMPAKT Foundation, Utrecht, Netherlands (online)
Conflict in My Outlook_Don’t Be Evil, University of Queensland Art Museum, Brisbane, Australia
A Very Special Place: Ikon in the 1990s, Ikon Gallery, Birmingham, England
Yugen App, Porto Design Biennial, Portugal
Drawing Biennial 2021, Drawing Room, London, England
The Secret Life of Plants, Casa da Cerca, Almada, Portugal
Activist Neuroaesthetics: Part 2: Sleep and Altered States of Consciousness, Kunstverein am Rosa-Luxemburg Platz, Berlin, Germany
The Unbody, an online exhibition, P.P.O.W. Gallery, New York USA
Constellations #2, Espace multimédia Gantner, Bourogne, France
Calculation Control: Netzkunst und Kybernetik, Haus der Statistik, Alexanderplatz, Berlin, Germany
Artificial Spring, xviix,
Virtual Exhibition, GAG Projects, Adelaide, Australia/Berlin, Germany
Après Une Traversée Heureuse, Casino Luxembourg and Luxembourg City Film Festival, Luxembourg
Age of You: a kaleidoscopic exploration of the extreme self, Jameel Arts Centre, Dubai, United Arab Emirates

Of Roots and Clouds, Sapporo International Art Festival 2020 Plans and Ideas–We will bring the cancelled exhibition SIAF2020 to you by any means possible
Back to Future. Technikvisionen zwischen Science-Fiction und Realität, Museum für Kommunikation, Frankfurt am Main, Germany
Nature of Robotics: An Expanded Field, EPFL Pavilions, Swiss Federal Institute of Technology, Lausanne, Switzerland
QUANTICA, KUMU, Tallinn, Estonia October
#WIP, Queer Art Projects Digital
BIG D@T@! BIG MON€Y!, Halle 14 – Zentrum für zeitgenössische Kunst, Leipzig, Germany
We Never Sleep, Schirn Kunshtalle, Frankfurt, Germany
The Time Complex, Yerevan Biennial 2020-2021, Yerevan, Armenia
I’ve Never Seen The Sky Like This Before…, Southwest Contemporary, Adelaide, Australia
disturbance: witch, ZAK (Zentrum für Aktuelle Kunst), Spandau Zitadelle, Berlin, Germany
Not Without My Ghosts, Hayward Gallery Touring exhibition, Drawing Room, London, England
Open World: Video Games & Contemporary Art, Currier Museum of Art, Manchester, NH, USA
Summer Exhibition, Annely Juda Fine Art, London, England
Common Knowledge – Ideas to Counter the Information Crisis, BIO26 | Biennial of Design, Ljubljana, at the Kunstgewerbemuseum, Dresden, Germany
Leaning on the Past, Working for the Future, WUK/Kunsthalle Exnergasse, Vienna, Austria
Zahl, Rythmus, Wandlung – Emma Kunz und Gegeswartskunst, Kunsthalle Ziegelhütte Appenzell, Switzerland
The new outside, Upstream Gallery, Amsterdam, Netherlands (online)
Hell is a Place on Earth Heaven is a Place in Your Head, an online exhibition, P·P·O·W, New York, USA
Splendid Isolation, Annely Juda Fine Art, London, England
The Collectors Room (Houdini), JGM Gallery, London, England
Broken Symmetries – Art × Physics, National Taiwan Museum of Fine Arts, Taiwan
Shaking the habitual, Galeria Duarte Sequeira, Braga, Portugal
Rhizomatic Spell, Kvalitar Gallery, Prague, Czech Republic

Narcisse ou la floraison des mondes, Frac Nouvelle-Aquitaine MÉCA, Bordeaux, France
BIO26| Common Knowledge, Ljubljana Design Biennial, Museum of Architecture and Design (MAO), Ljubljana, Slovenia
Plant Revolution!, CIAJG, Guimãraes, Portugal
Open World: Video Games & Contemporary Art, Akron Art Museum, Ohio, USA
Mud Muses, A Rant About Technology, Moderna Museet, Stockholm, Sweden
Hadaly et Sowana, cyborgs et sorcières (Witches and Cyborgs), Espace Multimédia Gantner, Bourogne, France
Nothing Less! Hundred Years of Women’s Suffrage, Austrian Cultural Forum, London, England
1000 Ecologies, Le Commun, Bâtiment d’Art Contemporain, Geneva, Switzerland
ON EDGE – Living in an age of anxiety, Science Gallery, London, England
The Seventh Continent, 16th Istanbul Biennial, Istanbul, Turkey
Age of You, Museum of Contemporary Art, Toronto, Canada
What Lies Within: Centre of the Centre, Museum of Contemporary Art and Design (MCAD), Manila, Philippines
Tainted Love, Canberra Contemporary Art Space, Canberra, Australia
ZKM Seasons of Media Arts, City of Participative Visions, Public spaces Karlsruhe, Germany
Supernormal Festival, Braziers House, Braziers Park, Oxfordshire, England
Computer Grrrls, MU, Eindhoven, Netherlands
Video art programme, MACRO Museum, Rome, Italy
Zoextropy. The Posthuman Beauty, Museum Centre del Carme, Valencia, Spain
Augmented Humanity / Umanità Aumentata, WILD MAZZINI – Data art gallery, Turin, Italy
TRANS WORLD, Nicodim Gallery, Los Angeles, USA & Nicodim Gallery, Bucharest, Roumania
Through the Black Mirror, in association with Reality Turn conference, Luznava Manor, Rezekne, Latvia
You Say You Want a Revolution: Records & Rebels 1966-70, Melbourne Museum, Melbourne, Australia
New Age, New Age: Strategies for Survival, DePaul Art Museum, Chicago, USA
Ocular Inc, Thameside Studios Gallery, London England
Smoke and Mirrors: The Psychology of Magic, Wellcome Collection, London, England
QUANTICA, CCCB Barcelona, Spain
FMR LINZ 019, Linz, Austria
Phytopia, Glynn Vivian Art Gallery, Swansea, Wales
Computer Grrrls, La Gaîté Lyrique, Paris, France
Drawing Biennial 2019, The Drawing Room, London England
Liquid Crystal Display, MIMA, Middlesbrough, England
Postcards from the Edge, Bortolami Gallery, New York, USA
Des attentions, Centre d’art contemporain d’Ivry – le Crédac, Ivry-sur-Seine, France

Inhuman Art, ScreenSaverGallery (online) & presented at: PAF – Festival of Film Animation and Contemporary Art, Olomouc, Czech Republic
Broken Symmetries, FACT, Liverpool, England
50 Years – 50 Artists, Annely Juda Fine Art, London, England
Sci-Fi episode #1: PRELUDE, Public art project on the occasion of the 18th edition of the Trieste Science+Fiction Festival, Trieste, Italy
Agency, NOME, Berlin, Germany
Computer Grrrls, Hartware MedienKunstVerein (HMKV), Dortmund, Germany
At the Gates, Talbot Rice Gallery, The University of Edinburgh, Scotland
You Say You Want a Revolution: Records & Rebels 1966-70, ING Art Center, Place Royale 6, 1000 Bruxelles
Im Zweifel für den Zweifel, NRW-FORUM DÜSSELDORF, Germany
The War of Nerves: Psychological Landscape of the Cold War, The Wende Museum, The Armory, Culver City, California, USA
Liquid Crystal Display, Site Gallery, Sheffield, England
GROUP PORTRAIT WITH GARDEN, Mecklenburgh Square, London, England
Divided We Stand, Busan Biennale 2018, Busan, South Korea
Hayward Gallery commission for Art Night, SURVIVOR (F) + Interplanetary Dresses For Space Travel, Battersea Power Station hoardings, London, England
Letters of Last Resort, Damien & The Love Guru, Brussels, Belgium
Cloudbusters. Intensity vs Intension, Tallinn Print Triennial, Contemporary Art Museum of Estonia (EKKM), Tallinn, Estonia
When Facts Don’t Matter, Lismore Castle Arts, Lismore, Ireland
BLACK LIGHT: Hermetic Traditions in Contemporary Art Since the 1950s, Centre de Cultura Contemporània de Barcelona (CCCB), Barcelona, Spain
Now Play This, Somerset House, London, England
Magic Circle, Kunstraum Niederösterreich, Vienna, Austria
Altered States. Substances in Contemporary Art, Kunstpalais & Städtische Sammlung Erlangen, Germany
Perpetual Uncertainty, Malmö Konstmuseum, Sweden
Phytopia, Thames-Side Studios Gallery, London, England
Postcards from the Edge, Gallery 524, New York, USA

Revolution: Records and Rebels 1966 – 1970 dai Beatles a Woodstock, V&A touring exhibition, Fabbrica del Vapore, Milan, Italy
Black Mirror, The Gallery, Arts University Bournemouth, England
Phytopia, Milton Gallery, St. Paul’s School, London, England
0100011111010100, Le numérique dans les collections des FRAC du Grand Est,  Maison de la Région, Strasbourg, France
Techno-ésotérisme et animisme digital, Festival international des Arts multimédia GAMERZ 13ème édition, Aix-en-Provence, France
Parapolitik: Kulturelle Freiheit und Kalter Krieg, Haus der Kulturen der Welt, Berlin, Germany
Haunted Machines & Wicked Problems: Myth, Magic & Monsters, Casco/Fotodok, Impakt Festival, Utrecht
Perpetual Uncertainty, Z33, Hasselt, Belgium
Open Codes, Living in Digital Worlds, ZKM, Karlsruhe, Germany
The World Without Us, Mali Salon, Museum of Modern and Contemporary Art, Rijeka, Croatia
FIBER & LIQUIDS, Darknet exhibition. Kunstverein Harburger Bahnhof, Hamburg, Germany; Kunsthaus Graz, Austria. In cooperation with Galerie für Zeitgenössische Kunst Leipzig, Germany
Visual Notes for an Upside-Down World, P.P.O.W., New York, USA
‘&’, Muzeum Sztuki, Lodz, Poland
The World Without Us, Vžigalica Gallery, Ljubljana, Slovenia
You Say You Want a Revolution: Records & Rebels 1966-70, Montreal Museum of Fine Arts, Montreal, Canada
WINDOWS, Computer + Software, (shop window project), Basel, Switzerland
WRO Biennale 2017: DRAFT SYSTEMS, WRO Art Center, Wroclaw, Poland
Hybrid Landscapes, Digital Catapult, London, England
As Above, So Below: Portals, Visions, Spirits & Mystics, IMMA–Irish Museum of Modern Art, Dublin
Memoirs Found in a Bathtub, Minibar, Stockholm, Sweden
Ruse: the artfulness of deceit, Holden Gallery, Manchester School of Art, UK
Planetary Gardening, Photo Access, Manuka Arts Centre, Canberra, Australia
Drawing Biennial 2017, Drawing Room, London, England
Evidentiary Realism, Fridman Gallery New York, USA
Artefact: the Act of Magic, Stuk Kunstcentrum, Leuven, Belgium
Tropical Hangover, Tenderpixel, London, England
alien matter, Transmediale 2017, Haus der Kulturen der Welt, Berlin, Germany
Trans-Subjective Engagements, Koenig and Clinton, New York, USA
Postcards from the Edge, Metro Pictures, New York, USA
Underlying system is not known – Current trends in pattern and repetition, Western Exhibitions, Chicago, USA

New World Order, Casula Powerhouse, Sydney, Australia
Collective Task, 67 Ludlow Street, New York, USA
The Museum of Rhythm, Muzeum Sztuki ms1, Lodz, Poland
The Fevered Specters of Art—Die fiebrigen Gespenster der Kunst, Edith-Russ-Haus, Oldenburg, Germany
The World Without Us, Hartware MedienKunstVerein (HMKV), Dortmund, Germany
Perpetual Uncertainty, Bildmuseet, Umea, Sweden
New Mythologies, launch exhibition, POSTmatter, Second Home, London, England
You Say You Want a Revolution: Records & Rebels 1966-70, Victoria and Albert Museum, London, England
500 años sin lugar: un regreso a la isla de Utopía, La Fundació Palma Espai d’Art, Palma, Mallorca, Spain
Liverpool Biennial 2016, Liverpool, UK
The Hellstrom Chronicle, Galerie Barbara Weiss, Berlin, Germany
Hailweed, Auto Italia, London, England
Third Nature: On Infrastructure, Alchemy and its Futures, CCS Bard Hessel Museum, Annandale-on-Hudson, NY, USA
Anarchronisme, Espace Multimédia Gantner, Bourogne, France
Fourteen Turns: Meditations on a Coffee Mill, Lubomirov/Angus-Hughes, London, England
WE transFORM: Design between Dystopia and Utopia, Neues Museum, Nuremberg, Germany
Signal to Code: 50 Years of Media Art in The Rose Goldsen Archive, Hirshland Exhibition Gallery, Cornell University, Ithaca, NY USA

(Artifical Intelligence) Digitale Demenz, Hartware MedienKunstVerein, Dortmund, Germany
A Foreign Encounter, Galerie FOE 156, Munich, Germany
Digitale Demenz (Artificial Intelligence), EIGEN + ART Lab, Berlin, Germany
I See, So I See So. Messages from Harry Smith, Temporary Gallery, Zentrum für zeitgenössische Kunst, Cologne, Germany
Infosphere, ZKM | Center for Art and Media Karlsruhe, Germany
Control Mode Feedback, HALLE 14, Leipzig, Germany
Graphics Interchange Format: 25 Years of Focal Point Gallery, Focal Point, Southend, England
Island – Adaptation II, g39 Cardiff, Wales
Algorithmic Rubbish: Daring to Defy Misfortune, Stedelijk Museum Bureau Amsterdam (SMBA), Amsterdam, Netherlands
Air de Jeu, Extension du Domaine du Jeu (Broadening of the game-field), Le Nouveau Festival du Centre Pompidou 6th Édition. Espace 315, Centre Pompidou, Paris, France
Anarchronism, iMAL, Center for digital cultures and technology, Brussels, Belgium
Anonymity no longer an option, SEVEN, Pierogi The Boiler, Brooklyn, New York, USA
Test Exposure, 16th WRO Media Art Biennale, WRO Art Center, Wroclaw, Poland
De Dingen en De Materialen/Things and Materials: Glass, Het Nieuwe Instituut, Rotterdam, Netherlands
Edge of Control, Academy of Media Arts Cologne, Germany
Telling Lies, Rua Red, Dublin, Ireland
RARE EARTH, Thyssen-Bornemisza Art Contemporary-Augarten, Vienna, Austria
Postcards from the Edge AIDS benefit, Luhring Augustine, New York, USA
Sex Shop, Transition Gallery, London, England
Drawing Biennial 2015, Drawing Room, London, England
Welcome to the Future! the floppy cd-rom revolution (or the short life of born-digital art), iMAL Center for digital cultures and technology, Brussels, Belgium

Social Factory: 10th Shanghai Biennale, China
L’avenir (looking forward), 8th Biennale de Montréal, Musée d’art contemporain de Montréal, Canada
ING Discerning Eye, Mall Galleries, London
A Politics of Drawing: Proposal for a Method of Transformation, Barbara Walters Gallery, Sarah Lawrence College, Bronxville, NY, USA
Sex Shop, Folkestone Triennial satellite exhibition, Folkestone, England
Treasure of Lima: A Buried Exhibition, T-B A21 – Thyssen-Bornemisza Art Contemporary, Vienna/Cocos Island, Costa Rica
BLACKMODULAR (first edition), Modern Art Projects (MAP), House of Joyce Hinterding and David Haines, Lawson, Blue Mountains, Sydney, Australia
Média Médiums, YGREC Gallery, Paris, France
Networks in Reverse, lecture performance, at Radical Enlightenment symposium, Adelaide Festival – Artists’ Week, curated by Lars Bang Larsen, Adelaide, Australia
The Art of Tarot, The Bank, Eye, Suffolk, England
Outrageous Fortune: Artists Remake The Tarot, A Hayward Touring/Focal Point Gallery exhibition, Phoenix Gallery, Exeter, England
Songes numériques, Gymnase-espace culturel, Fort Griffon à Besançon, l’Université de Franche-Comté, France
Imagination of Matter: An exhibition in memory of Monica Ross, New School House Gallery, York, England
Of Häxan and Hexen 2.0, Curious Matters Forum, curated by Petra Lange-Berndt, Department of History of Art, University College London, England, 22 Jan 2014 view images

Artists of the Colony Room, England & Co, London, UK
footnotes17, Guardian gallery, Kings Place, 90 York Way, London, England
Microutopias of the everyday: Exhibition of the collection of CoCA Torun, Centre of Contemporary Art Torun, Poland
Systemics #2 – As we may think (or the next world library), Kunsthal Aarhus, Denmark
The Whole Earth. California and the Disappearance of the Outside, Haus der Kulturen der Welt, Berlin, Germany
Chick Lit: Revised Summer Reading, Tracy Williams Ltd, New York, USA
Radical Enlightenment. A Symposium on Cybernetics and the Soul, Palais de Tokyo, Paris, France
A World of Wild Doubt, Hamburger Kunstverein, Hamburg, Germany
Drawing Biennial 2013, The Drawing Room, London, England
Illustrative 13 Berlin, Direktorenhaus, Berlin, Germany
Symposium project, >Schutzraum Politik Ästhetik Medien< (>Protective Space< Politics Aesthetics Media), Thealit, Bremen, Germany

Intersections: Science in Contemporary Art, Weizmann Institute of Science, Rehovot, Israel
Plus ou moins sorcières 3/3 : Hugger-Mugger, La Maison Populaire, Montreuil, Paris, France
Turn to Red, FLOOD, Dublin, Ireland
Horticulture, Galerie Lorenz, Frankfurt, Germany
Utopia – oder die Sehnsucht nach dem Nichts, Galerie Pankow, Berlin, Germany
Mutatis Mutandis, curated by Catherine David, Secession, Vienna, Austria
Papier a en-tete (Letterhead ), Cabinet du livre d’artiste, Rennes II University Gallery, France
Collection Espace multimédia gantner, Festival Electrochoc, Abattoirs a Bourgoin-Jallieu, France
The Curator’s Egg, Altera Pars, Anthony Reynolds Gallery, London
The Museum Problem, Frutta, Rome, Italy
Malas Escrituras, Galeria Nieves Fernandez, Madrid, Spain

Remise en Jeu, La Kunsthalle Mulhouse Centre d’art contemporain, France
Secret Societies, Schirn Kunsthalle, Frankfurt, Germany; CAPC, Musée d’art Contemporain de Bordeaux, France
The True Artist Helps the World by Revealing Magick Truths, D21 Kunstraum, Leipzig, Germany
Art/Systeme/Poésie, In Situ / Fabienne Leclerc, Paris, France
The Big Society, Galerie GP&N Vallois, Paris, France
Everyday, Ruskin Gallery, Cambridge School of Art, England
Outrageous Fortune, Hayward Touring show, Focal Point Gallery, Southend. Tour: Queens Hall Arts Centre, Hexham; Jersey Arts Centre, St Helier; Mac, Birmingham; The Gallery, York College, York, England
Drawing 2011, Biennial Fundraiser, Drawing room, London, England
Works from the collection of Espace Multimédia Gantner, Bcubico Art Center, Recife, Brazil
Nouvelles du Jour, JTM Gallery, Paris, France

East End Promise: A Story of Cultural Migrants 1985-2000, Londonewcastle Project Space, London
4×6 inches, Galerie Lorenz, Frankfurt, Germany
Art numérique de la Collection de l’Espace Multimedia Gantner, Galerie de la Scene Nationale, Le Granit Belfort, France
Cross-fades. Reconstructing the Future, Shedhalle Zurich, Switzerland
Shift Electronic Arts Festival, Basel, Switzerland
Parallel Re Mix, Leonard Hutton Galleries, New York, USA
London Psychogeophysics Summit, with SPACE Media Arts, and HTTP gallery/Furtherfield, London, England
Reinventing Ritual, Contemporary Jewish Museum, San Francisco, USA
Magic Show, Hayward touring show: Grundy Art Gallery, Blackpool; Tullie House Museum and Art Gallery, Carlisle; Chapter, Cardiff; Pump House Gallery, London, England
Awake are only the Spirits, Center for Contemporary Art Znaki Czasu (CoCA) Torun, Poland
Should I Stay or Should I Go, A question rehearsed by RUN, CHELSEA space 5th Anniversary Exhibition, CHELSEA Space, London, England
Making Ships in Bottles, CGP, Southwark, London, UK
Documentalist, Collective Gallery, Edinburgh, Scotland

Reinventing Ritual, The Jewish Museum, New York, USA
Magic Show, Hayward touring show: Quad, Derby, England
Insiders – pratiques, usages, savoir-faire, CAPC Museum of Contemporary Art, Bordeaux, France
Scorpio’s Garden, Temporary Kunsthalle, Berlin, Germany
Planet of Signs, Le Plateau Art Center, FRAC Paris, Ile de France
Image Search, P.P.O.W New York, USA
Tactical Support: Curator’s Choice Tracy WIlliams Ltd, New York, USA
Awake are only the Spirits, Hartware MedienKunstVerein (HMKV), PHOENIX Halle, Dortmund, Germany
Drawing 2009 – Biennial Fundraiser, The Drawing Room, London, England
The Secret of the Ninth Planet, CCA Curatorial Practice exhibition, Queens Nails Projects, Photo Epicenter and the Studio for Urban Projects, San Francisco, USA
Histoires a l’ere numérique – works from the collection of Espace Multimédia Gantner, [], Basel, Switzerland
Gothic, Contemporary Art Society fundraiser event, Sotheby’s New Bond Street, London, England

Tina B, The Prague Contemporary Art Festival, Billboard Text Art – EMERGING WOR(L)DS
Obama Fundraiser, P.P.O.W, New York, USA
By Invitation Only 2, Kinz, Tillou + Feigen, NY, USA
Bad Year Blimp, Alma Enterprises, London, England
The Disarmory Show, a dBfoundation project, 201 Mulberry Street, New York, USA
Gegen den Strich, Bielefelder Kunstverein, Germany

Gegen den Strich, Kunstlerhaus Bethanien, Berlin, Germany
How We May Be, Late at the Tate, Tate Britain, London, England
Jerwood Drawing Prize, Jerwood Gallery, London and UK tour
3Things, (curated by Donald Smith) RUN Gallery, London, England
ARTIST MAKES VIDEO: art rage survey 1994-1998, art rage: artworks for television, DELL Gallery@QCA , Brisbane, Australia
Annely Juda – A Celebration, Annely Juda Fine Art, London, England
FILE RIO (HEXEN 2039 website) – festival internacional de linguagem eletr™nica, Centro Cultural da Oi Futuro, Rio de Janeiro, Brazil

Flash on the Screen, Basekamp space, Philadelphia, USA
DUSK, by Raul Zamudio, (curatorial section of Digital Video Art Fair (DiVA)) Lummus Park, Ocean Drive, Miami Beach, FL, USA
Drawing from Turner, Clore Gallery, Tate Britain, London, England
FILE 2006 (HEXEN 2039 website) – festival internacional de linguagem eletr™nica, SESI Gallery, Sao Paulo, Brazil.

The Blur of the Otherworldly: Contemporary Art, Technology and the Paranormal, The Center for Art and Visual Culture, University of Maryland Baltimore County, USA and touring USA
NATO, project space at Annely Juda Fine Art, Frieze, London.
ICOLS Strategy Defense and Arms Fair, The Performance Space, Sydney, Australia
Glasgow International, ICOLS Strategy Defense and Arms Fair, RISK, CCA, Glasgow, Scotland
ICOLS audio, finetuned, ETA Project Space, Hove, UK
10th Anniversary Exhibition, Mizuma Art Gallery, Tokyo, Japan
Don’t Call it Performance, Konceptkonstmuseum, Rydboholm, Sweden
ICOLS in Evolutionare Zellen Archive, NGBK, Berlin, Germany
Bodies Through Technology, Tompkins County Public Library, Ithaca, New York, USA.
Operation Swanlake, Transmediale.05 Haus der Kulturen der Welt, Berlin, Germany

Don’t Call it Performance, Centro Andaluz de Arte Contempor‡neo,Seville, Spain; Domus Artium 2002 (DA2) Salamanca, Spain; El Museo del Barrio, New York, USA.
CITY OF WOMEN 10th International Festival of Contemporary Arts, Gallery Skuc, Ljubljana, Slovenia.
ICOLS, in Collectivity and critical collective/cooperative cultural action, Oliver Gallery, University of South Florida, Tampa FL USA.
ICOLS in Connect the Dots, The LeRoy Neiman Gallery, Columbia University, New York, USA.
ICOLS Strategy Defense and Arms Fair, ferry between Helsinki, Stockholm, Mariehamn, Tallin, ISEA 2004.
Media Forum of the XXVI Moscow International Film Festival, ClubnaBrestskoj, Moscow, Russia.
PLANET B Das B-Movie in der zeitgenšssichen Kunst, Magazin4 Vorarlberger Kunstverein, KŸnstlerhaus Palais Thurn & Taxis, Bregenz, Austria.
Operation Swanlake, FILE 2004- festival internacional de linguagem eletr™nica, Sesi Gallery, S‹o Paulo, Brazil.
Contact Zones, New World Gallery @ Radio Free Hamptons, Sag Harbor, New York, USA.
Digital Salon, The ART Mission, Binghamton, NY, USA.
Eurographics 2004, WTC, Grenoble, France.
Metis:Time/Beam me up, ANU School of Art Gallery, Canberra, Australia.
Unframed, Standpoint Gallery, London.
Fly Utopia!, transmediale.04, Haus der Kulturen der Welt, Berlin, Germany.

Don’t Call it Performance, Centro de Arte Reina Sof’a, Madrid;Centro Parraga, Murcia, Spain
New York Calling, P.S.1 Australian Studio project, Long Island City, NY USA
Paradies (Paradise) MAIS V, Bunker under Alexanderplatz, Berlin, Germany
ICOLS AUDIO juniradio Berlin104.1 08.-30. juni
FILE 2003- festival internacional de linguagem eletr™nica, Museum of Image and Sound (MIS) S‹o Paulo, Brazil.
wywh wish you were here, First Draft Gallery, Sydney, Australia
ICOLS How to be a perfect guest, Sharjah International Biennial 6, Sharjah Art Museums and Expo Centre Sharjah, United Arab Emirates.
ICOLS Glasgow Event, Wasps Studios, Glasgow, Scotland.
ICOLS, The Esplanade, Theatres on the Bay, Singapore.

Gaze Travelling artroom, gallery suryun, Cologne, Germany
Connecting Principle, Newcastle University UK
ICOLS launch event, Museum of Contemporary Art, Sydney, Australiia.
(The World May Be) Fantastic, Biennale of Sydney, MCA Sydney, Australia.
Underwood Audio 2 (The Communist Manifesto, by Rosalind Brodsky and the Satellites of Lvov) & cd launch event Underwood St, London. exhibition, Irish Museum of Modern Art, Ireland
ICOLS in Art meets Archive, Sydney State Records Centre, Sydney, Australia.

LE NUMERIQUE : nouveau médium de l’art- From 01.10.01 to 01.11.01, Galerie de Pret d’oevres d’Art, Bruxelles, Belgium.
Penthouse and Pavement, Melbourne.
Model Citizen/No More Ice Cream (An ICOLS project with Bronia Iwanczak) Artspace, Sydney, & images at:
Disaster Tourism, Rubyayre, Sydney.
New Releases (video), 4a Gallery, Sydney and tour.

Electronic Art Festival, Cyberslag Foundation, Groningen, Netherlands.
Gene spill, Imperial Slacks Gallery Sydney.
Spooky-Ghosts, Spirits and the Uncanny, Glen Eira City Gallery, Melbourne.
Chemistry, Art Gallery of South Australia, Adelaide.
PUSAN International Contemporary Art Festival, Metropolitan Museum of Art, Pusan,
South Korea.
Moving Image Festival, Youthworks shop window installation SALA 2000, Adelaide.
New Thinking is Rare, South Australian Touring Exhibition Program.
F I L E Festival internacional de linguagem eletrönica, Museum of Image and Sound (MIS) São Paulo, Brazil.
(Second place/offline)
World Wide Video Festival, Amsterdam, Netherlands.
The Noorderzon Festival, Groningen, Netherlands.
Sonar Festival/CD ROM a la carta, Carrer de les Flors 22, Barcelona.
Chip, Melbourne International Film Festival.
Manifest/o, Zagreb, Croatia.
Festival of Independent Press, Museo de la Memoria, Tlaxcala, Mexico.
LIVE-STOCK ram/fm, 72 hour audio event, ARC, Stockton on Tees, UK.
Urban Futures 2000, International Conference and Electronic Art Exhibition, Johannesburg University Art Gallery. or

Love and Consciousness, Artopiques Gallery, Paris, France.
Confined, HERE Gallery, New York, USA. (Presumed Innocent collaboration)
Sex and Consciousness, Artopiques Gallery, Paris, France.
WRO 99 – 7th International Media Art Biennale – Wroclaw, Poland.
21, Spacex, Exeter, UK.
National Digital Art Awards exhibition, Institute of Modern Art, Brisbane.
Women in Film and Television Festival (WIFT) Festival, Sydney.
Fusion, St Kilda Film Festival, Melbourne.
2nd International show of CD ROMs, Media Centre d’Art i Disseny, Barcelona.
Contact Zones, Johnson Museum of Art, Cornell University, USA and travelling to Centro de la Imagen,Mexico City, Virginia film festival and touring US and Canada 2000-2001.
Fast + Wide, Broadway Media Centre, Nottingham, U.K.

Third International Video Summit Videomedeja, Kulturni Centar-Art Klub, Novog Sada, Yugoslavia.
ArtRage, ABC TV, Australia.
Interact (video screening)The Exhibition Centre, Melbourne.
Kino-Eye: Cybercities, Royal Palace, Antwerp, Belgium.
Xobject space, Dusseldorf, Germany.
corpoREAL, Tullie House, Carlisle, U.K.
Videonale 8, Bonn Kunstverein, Germany
Isea 98, The Tea Factory, Liverpool, U.K
Pandaemonium Festival, Lux Centre/Standpoint Gallery, London.
European Media Art Festival, Osnabrück, Germany.
National Digital Art Awards exhibition, I.M.A. Brisbane.
Prix Ars Electronica 98, Linz, Austria.
Underbelly, Cosmopolitan Cinema Complex, Adelaide.
Throw Down a Shape, Supermild, sound event, Adelaide, Australia 4 November, 1998
The Plato Problem, University of S.A. Art Museum window (with Richard Grayson).

Technoscience, Hybrid Workspace, Documenta X, Kassel, Germany.
Wardrobe, Madlove Gallery, Adelaide and tour (’98).
Heteronymous (curated by, Achille Bonito Oliva and Anna Maria Nassisi) San Michele a Ripa, Rome, Italy.
Pass Go and other board games, The City Gallery, Leicester, U.K.
Time Travelling with Rosalind Brodsky, Internet project for Electronic Writing Research Ensemble @
On a Clear Day, European Media Art Festival, Osnabrück, Germany.
Thin Skin, The Performance Space, Sydney.
Imprint 93 and related ephemera, Norwich Gallery, Norwich, U.K.
Time Travelling with Rosalind Brodsky, Canberra Festival of Contemporary Arts.

Artists’ Week : Compost Telstra Adelaide Festival ’96.
Foyer, Temporary space, Adelaide.
White Hysteria, Contemporary Art Centre of South Australia; Stripp, Melbourne.
White Hysteria(waiting room), Cleveland project space, London;The Physics Room, Christchurch, New Zealand.
ICA/Toshiba Art and Innovation Commission, shortlist exhibition, ICA, London.
On a Clear Day (CD ROM ,Website and publication project, curated by John Paul Bichard) ICA, London; Cambridge Darkroom; John Hansard Gallery, Southampton; First Site, Colchester; Focal Point, Southend; Oldham Art Gallery & Middlesborough Art Gallery.
Domestic Disturbances, Fifth Experimenta Media Arts Festival, National Gallery of Victoria, Melbourne, Noosa Regional Gallery and touring.

It’s a Pleasure, Royal Festival Hall, London.
U.K. Wit and Excess, C.A.C. South Australia, A.C.C.A. Melbourne, Ivan Docherty, Sydney, I.M.A. Brisbane.
Street Gallery, Mishima Ave shopping arcade festival, Sizuoka, Japan.
Frank Thing, Sym Choon Gallery, Adelaide.
Parallel Internet gallery and journal web project.
Weird Science, Australia Centre, Manila, Phillipines.
Technothelylogia, Monash University Gallery, Melbourne.
ROMulus and RAMbo-Body language in cyberspace, Canberra School of Art Gallery.
Pretext:Heteronyms, Rear Window, Clink St. Studios, London.
Contemporary Art Society market Royal Festival Hall, London.

Flat, Union Gallery, University of Adelaide.
Whitechapel Open Whitechapel Art Gallery, London.
Presumed Innocent collaboration, Exeter Hotel, Adelaide.
Lead and Follow, Atlantis, London.

New Voices – Jeunes Artistes Britanniques, Musee National d’Histoire et d’Art a Luxembourg; Centre d’Art Santa Monica Barcelona; Museo de Bellas Artes Bilbao; Centro Culturel Galileo Madrid; Sala de Veronicas, Murcia; Pescadera Viega Sala de Arte, Jerez; Kulturhistorisches Museum, Magdeborg, Germany.

Hit and Run, A Presumed Innocent collaborative event, [RE] Gallery, Adelaide.
Moving into View – work from the Arts Council collection, Royal Festival Hall, London.
The return of the Cadavre Exquis, The Drawing Center, N.Y. U.S.A.
VITEA: A.I.P.#7, Fifth Sculpture Triennial, R.M.I.T. Faculty Gallery, Melbourne.
The Disaster Show, with Presumed Innocent, Union Gallery, Adelaide University.
Critical City project, domestic space, Adelaide.

New Voices, British Council touring exhibition. Venues:
Macedonia, Skopje, Museum Of Modern Art. 14/02/1997
Czech Republic, Prague, Czech Museum Of Fine Arts, The House Of The Black Madonna. 04/12/1996
Greece, Thessaloniki, Cultural Centre For The National Bank. 31/10/1996
Slovakia, Bratislava, Mirbachov Palace. 05/08/1996
Russia, Nizhnii Novgorod, Kremlin Museum. 29/05/1996
Russia, St Petersburg, The Russian Museum. 18/04/1996
Greece, Thessaloniki, Cultural Centre For The National Bank Of Greece. 11/03/1996
Greece, Athens, Art Halls Of The Cultural Centre Of The Municipality Of Athens. 19/02/1996
Romania, Bucharest, National Theatre Galleries. 11/01/1996
Germany, Magdeburg, Kulturhistorisches Museum. 12/10/1995
Spain, Jerez, Sala Pescaderia Vieja, Ayuntamiento De Jerez. 02/12/1994
Spain, Murcia, Veronicas, Sala De Exposiciones. 04/11/1994
Spain, Madrid, Centro Cultural Galileo. 05/07/1994
Spain, Bilbao, Museo De Bellas Artes De Bilbao. 03/05/1994
Spain, Barcelona, Centre De Art Santa Monica. 10/03/1994
Turkey, Izmir, Izfas Gallery. 29/11/1993
Turkey, Ankara, State Fine Arts Gallery. 18/10/1993
Turkey, Istanbul, Istanbul Greater City Municipality Taksim Art Gallery. 20/09/1993
Luxembourg, Musee D’art Et D’histoire. 05/03/1993
Belgium, Brussels, Eec Presidency Exhibition. 30/09/1992
Belgium, Brussels, La Borschette. 23/09/1992

Whitechapel Open, Whitechapel Art Gallery, London.
Blast from the Past, Minories Art Gallery, Colchester.
Walls 1, Union Gallery, Adelaide University.
20th Century Women’s Art, New Hall College, University of Cambridge.
Scene of the Crime? A Presumed Innocent collaborative installation, Post West, Adelaide.
Edward Totah Gallery, London.
Nothing is {Hidden}, – (collaborative installation with Pamela Golden, Andrew Renton and LindaLevinson),
Rear Window, Lambs Conduit St, London.

A Painting Exhibition in Two Parts, Todd Gallery, London.

Decoy, Serpentine Gallery, London.
Global Art, Brent Gallery and Galleria, Houston, Texas.
London passim, Casa Veneta, Trieste.
Whitechapel Open, Whitechapel Art Gallery, London.

XXI Festival International de la Peinture, Cagnes sur Mer , France.
Whitechapel Open, Whitechapel Art Gallery, London.
John Moores, Walker Art gallery, Liverpool (3rd prize).

New Brits: Contemporary British and Scottish Painting, The Contemporary Arts Center, Cincinnati, Ohio, and tour of USA Museums.
Object and Image: British Art in the 1980’s, City Museum and Art Gallery Stoke on Trent.
Figuring out the ’80’s, Laing Art Gallery, Newcastle upon Tyne.
Something solid, Cornerhouse Galley, Manchester.
Whitechapel Open, Whitechapel Art Gallery, London
4 London Artists, Nancy Hoffman Gallery, New York.
It’s a still-life, Arts Council Collection, South Bank Centre, London and Tour.

Edward Totah Gallery, London, England
Edward Bates Gallery, Chicago, USA
On a Plate, Serpentine Gallery, London, England

The Golden Thread? Classical Mythology in Contemporary Art, Harris Museum and Art Gallery, Preston, Milton Keynes Exhibition Gallery, Royal Albert Memorial Museum, Exeter, Bradford Art galleries and Museums, Bradford. 1986-87.
Love, Sacred and Profane, Plymouth Arts Centre and Stoke Museum.
Interference, Riverside Studios, London.
Camden Annual, Camden Arts Centre, London.
4 British Artists, Edward Bates Gallery, Chicago, USA.

Nature Morte, Edward Totah Gallery, London.
Open Exhibition, Riverside Studios, London.

Whitechapel Open, Whitechapel Art Gallery, London.
Galerie Davidson, Berlin. (2 person show)
Warwick Arts Trust, London.

Images for Today, Touring exhibition sponsored by Sainsburys

Stowells Trophy, Royal Academy, London.

Public collections

Arts Council of England
Art Gallery of South Australia
Australian Centre for the Moving Image
AXA Collection
British Council
Carré d’Art Jean Bousquet/Musée d’art contemporain, Nimes, France
Center for Contemporary Art Znaki Czasu (CoCA), Torun, Poland
EMI Paris
FRAC Lorraine, Metz, France
Griffith University, Queensland
Kadist collection, Paris, France
Leeds City Council UK
Leicester County Council UK
Los Angeles County Museum of Art
Muzeum Sztuki, Lodz, Poland
New Hall Cambridge UK
Centre Pompidou, Musée National d’Art Moderne, France
Science Museum London
Tate Britain
The Box, Plymouth, UK
Thyssen-Bornemisza Art Contemporary, Vienna
Wolverhampton Art Gallery UK

International Libraries (cd rom collections):
Tate Britain, London
British Museum, London
UCLA, Santa Rosa Junior College, California, USA
University of Auckland
University of East London
Sydney College of the Arts
Rhodes University, South Africa
The Rose Golden Archive of New Media Art, The Division of Rare and Manuscript Collections, Carl A. Kroch Library Cornell University, Ithaca, NY, USA
L’Espace Multimédia Gantner, France
Fundacio Antoni Tapies Biblioteca, Barcelona

Public Art Commissions

Holbaek Art, Public art project, Holbaek, Denmark

Hayward Gallery commission for Art Night, SURVIVOR (F) + Interplanetary Dresses For Space Travel, Battersea Power Station hoardings, London, England

Sci-Fi episode #1: PRELUDE: Works from SURVIVOR (F), Public art project on the occasion of the 18th edition of the Trieste Science+Fiction Festival, Trieste, Italy

Bordeaux/Garonne Public Art Project, The Spaceships of Bordeaux / Les vaisseaux de Bordeaux